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 Legends

Welcome to the Paiute Legends and Stories page! We hope you enjoy your visit and come away with a better understanding and appreciation for our native beliefs.

Just click on a link below to read one of the many legends and stories we have here! 

Paiute and Shoshone origins
The Coyote and the Sun
Paiute Medicine Song
Song of the Ghost Dance
The Woman and the Giants
Sarah Winnemucca
Why the North Star stands still
Wovoka

Paiute and Shoshone origins

The coyote, like his brother the wolf, was a spiritual being. In the beginning the coyote left his homeland in the Americas and traveled East-ward across the ocean in the direction of the rising sun. In distant lands, he acquired a bride and with her had a great number of children. These children were Indians, the forefathers of the great tribes that were to inhabit the North and South American continents.

Preparing to return home, the coyote put them all in a wosa, a woven willow basket jug with a cork. Before his journey, he was instructed not to open the jug until he reached his country in the Rockies and the Great Basin.

Being a sly and curious person, and hearing singing and the beating of drums within the wosa, the coyote thought it would not hurt to take a peek when he arrived back on the Eastern coast of the American continent. But when he opened the jug, the children inside jumped out and scattered in all directions across North and South America.

By the time he got the cap back on, the only two persons who remained in the wosa were the Western Shoshone and the Paiute. These he brought home with him. When he reached the Great Basin, he opened the jug, and out fell the last two children. They, at once, began to fight.

The coyote kicked them apart and said to them, "You two are my children. Even though the rest got away, you two will be able to fight against the best and beat them."

Thus, the Western Shoshone and Paiutes, or the Newe and Numa peoples, who now live in California, Nevada, Idaho, Utah, and Oregon, began as allies and populated the Great Basin.

The Coyote and the Sun

Along time ago, Coyote wanted to go to the sun. He asked Pokoh, Old Man, to show him the trail. Coyote went straight out on this trail and he traveled it all day.

But Sun went round so that Coyote came back at night to the place from which he started in the morning.

The next morning, Coyote asked Pokoh to show him the trail. Pokoh showed him, and Coyote traveled all day and came back at night to the same place again.

But the third day, Coyote started early and went out on the trail to the edge of the world and sat down on the hole where the sun came up. While waiting for the sun he pointed with his bow and arrow at different places and pretended to shoot. He also pretended not to see the sun. When Sun came up, he told Coyote to get out of his way.
Coyote told him to go around; that it was his trail. But Sun came up under him and he had to hitch forward a little.

After Sun came up a little farther, it began to get hot on Coyote's shoulder, so he spit on his paw and rubbed his shoulder.

Then he wanted to ride up with the sun. Sun said, "Oh, no"; but Coyote insisted. So Coyote climbed up on Sun, and Sun started up the trail in the sky. The trail was marked off into steps like a ladder. As Sun went up he counted "one, two, three," and so on. By and by Coyote became very thirsty, and he asked Sun for a drink of water.

Sun gave him an acorn-cup full. Coyote asked him why he had no more. About noontime, Coyote became very impatient. It was very hot. Sun told him to shut his eyes. Coyote shut them, but opened them again. He kept opening and shutting them all the afternoon.

At night, when Sun came down, Coyote took hold of a tree. Then he clambered off Sun and climbed down to the Earth.

Paiute Medicine Song

Now all my singing Dreams are gone,
But none knows where they have fled
Nor by what trails they have left me.
Return, O Dreams of my heart,
And sing in the Summer twilight,
By the creek and the almond thicket
And the field that is bordered with lupins!
Now is my refuge to seek
In the hollow of friendly shoulders,
Since the singing is stopped in my pulse
And the earth and the sky refuse me;
Now must I hold by the eyes of a friend
When the high white stars are unfriendly.
Over-sweet is the refuge for trusting;
Return and sing, O my Dreams,
In the dewy and palpitant pastures,
Till the love of living awakes
And the strength of the hills to uphold me.

Song of the Ghost Dance

The snow lies there - ro-rani!
The snow lies there - ro-rani!
The snow lies there - ro-rani!
The snow lies there - ro-rani!
The Milky Way lies there.
The Milky Way lies there.

This is one of the favorite songs of the Paiute Ghost dance. . . . It must be remembered that the dance is held in the open air at night, with the stars shining down on the wide-extending plain walled in by the giant Sierras, fringed at the base with dark pines, and with their peaks white with eternal snows.

Under such circumstances this song of the snow lying white upon the mountains, and the Milky Way stretching across the clear sky, brings up to the Paiute the same patriotic home love that comes from lyrics of singing birds and leafy trees and still waters to the people of more favored regions. . .

The Milky Way is the road of the dead to the spirit world.

The Woman and the Giants

Once there lived a giant named Tse'nahaha who killed people by looking at them. He always carried a big basket of thorns on his back. When he caught anyone, he threw him over his back into the basket.

A group of Indians were playing the hand game in a certain house, and were having a good time. They had stationed a woman outside to watch for Tse- nahaha. After a while, she heard Tse'nahaha coming. He was talking to himself and singing. The woman tried to warn the people that the giant was coming, but they did not hear her.

Tse'nahaha was getting closer. The woman became frightened, and jumped into a little pit and pulled a basket over herself.

She heard Tse'nahaha come up and stop. He stooped down and crawled into the doorway of the house and looked around. Twice he made a sucking noise with his lips. When he looked at anyone in the house, that person died at once. The others noticed the dead ones staring and said, "What are you people looking at? What is there worth looking at?"" Then they, too looked at Tse'nahaha and died. Soon they were all dead. Only a little baby was left inside, sleeping. Tse'nahaha went away.

The baby commenced to cry. It was almost daylight now. The baby crawled over to the people and pushed them over. Then the woman left the pit and went inside, but she did not look at the dead people. She called the baby, and said, "Let's go away." She set the house on fire, took the baby, and went away. With her digging-stick, she dug kani'd while the baby slept and ate.

As she was living this way, another giant, Pu'wihi came along. Pu'wihi picked up the baby, holding his head between his second and third fingers, and carried him over to the woman. He said to her, "Where are you from?"

She answered, "I am from that house over there--the one with the smoke coming out. There are many men in it."

The giant went toward the house. The woman was very frightened and tried to hide. She set her digging-stick in a clump of wild oats and vaulted as far as she could.

When the giant came back from the house he did not see her. He looked all around. He was furious and twisted his nose in anger. He found the wild oats and saw the mark of her stick. This showed in which direction she had jumped, and he went to a big flat rock. She had gone under this rock, and was crying.

The giant took the rock away and uncovered her, but it was dark by this time. He said, "I'll get her in the morning. Now I'll make a fire and grind up this baby." He found a large flat rock, ground up the baby, and ate him. He was having a fine time and lay there, singing. The woman could hear him. After a while he went to sleep. Then the woman got up and made another jump toward the east, to the house of her aunt.

When the woman came to her aunt's house, she was safe. The giant could not see the mark of her stick to find out which way she had jumped because this time she had jumped from a rock.

The Paiute Indians come from this woman.

Sarah Winnemucca

The traditions of our people are handed down from father to son. The Chief is considered to be the most learned, and the leader of the tribe. The Doctor, however, is thought to have more inspiration. He is supposed to be in communion with spirits... He cures the sick by the laying of hands, and payers and incantations and heavenly songs. He infuses new life into the patient, and performs most wonderful feats of skill in his practice.... He clothes himself in the skins of young innocent animals, such as the fawn, and decorated himself with the plumage of harmless birds, such as the dove and hummingbird ...

Sarah Winnemucca - Paiute

Why the North Star stands still

Long, long ago, when the world was young, the People of the Sky were so restless and traveled so much that they made trails in the heavens. Now, if we watch the sky all through the night, we can see which way they go.

But one star does not travel. That is the North Star. He cannot travel. He cannot move. When he was on the Earth long, long ago, he was known as Na- gah, the mountain sheep, the son of Shinoh. He was brave, daring, sure- footed, and courageous. His father was so proud of him and loved him so much that he put large earrings on the sides of his head and made him look dignified, important, and commanding.

Every day, Na-gah was climbing, climbing, climbing. He hunted for the roughest and the highest mountains, climbed them, lived among them, and was happy. Once in the very long ago, he found a very high peak. Its sides were steep and smooth, and its sharp peak reached up into the clouds. Na- gah looked up and said, "I wonder what is up there. I will climb to the very highest point."

Around and around the mountain he traveled, looking for a trail. But he could find no trail. There was nothing but sheer cliffs all the way around. This was the first mountain Na-gah had ever seen that he could not climb.
He wondered and wondered what he should do. He felt sure that his father would feel ashamed of him if he knew that there was a mountain that his son could not climb. Na-gah determined that he would find a way up to its top. His father would be proud to see him standing on the top of such a peak.

Again and again he walked around the mountain, stopping now and then to peer up the steep cliff, hoping to see a crevice on which he could find footing. Again and again, he went up as far as he could, but always had to turn around and come down. At last he found a big crack in a rock that went down, not up. Down he went into it and soon found a hole that turned upward. His heart was made glad. Up and up he climbed.

Soon it became so dark that he could not see, and the cave was full of loose rocks that slipped under his feet and rolled down. Soon he heard a big, fearsome noise coming up through the shaft at the same time the rolling rocks were dashed to pieces at the bottom. In the darkness he slipped often and skinned his knees. His courage and determination began to fail. He had never before seen a place so dark and dangerous. He was afraid, and he was also very tired.

"I will go back and look again for a better place to climb," he said to himself. "I am not afraid out on the open cliffs, but this dark hole fills me with fear. I'm scared! I want to get out of here!"

But when Na-gah turned to go down, he found that the rolling rocks had closed the cave below him. He could not get down. He saw only one thing now that he could do: He must go on climbing until he came out somewhere.
After a long climb, he saw a little light, and he knew that he was coming out of the hole. "Now I am happy," he said aloud. "I am glad that I really came up through that dark hole."

Looking around him, he became almost breathless, for he found that he was on the top of a very high peak! There was scarcely room for him to turn around, and looking down from this height made him dizzy. He saw great cliffs below him, in every direction, and saw only a small place in which he could move. Nowhere on the outside could he get down, and the cave was closed on the inside..,

"Here I must stay until I die," he said. "But I have climbed my mountain! I have climbed my mountain at last!
He ate a little grass and drank a little water that he found in the holes in the rocks. Then he felt better. He was higher than any mountain he could see and he could look down on the Earth, far below him.

About this time, his father was out walking over the sky. He looked everywhere for his son, but could not find him. He called loudly, "Na-gah! Na- gah!" And his son answered him from the top of the highest cliffs. When Shinoh saw him there, he felt sorrowful, to himself, "My brave son can never come down. Always he must stay on the top of the highest mountain. He can travel and climb no more.

"I will not let my brave son die. I will turn him into a star, and he can stand there and shine where everyone can see him. He shall be a guide mark for all the living things on the Earth or in the sky."

And so Na-gah became a star that every living thing can see. It is the only star that will always be found at the same place. Always he stands still. Directions are set by him. Travelers, looking up at him, can always find their way. He does not move around as the other stars do, and so he is called "the Fixed Star." And because he is in the true north all the time, our people call him Qui-am-i Wintook Poot-see. These words mean "the North Star."
Besides Na-gah, other mountain sheep are in the sky. They are called "Big Dipper" and "Little Dipper." They too have found the great mountain and have been challenged by it. They have seen Na- gah standing on its top, and they want to go on up to him.

Shinoh, the father of North Star, turned them into stars, and you may see them in the sky at the foot of the big mountain. Always they are traveling. They go around and around the mountain, seeking the trail that leads upward to Na-gah, who stands on the top. He is still the North Star.

Wovoka

Grandfather says that when your friends die you must not cry. You must not anybody or do harm to anyone. You must not fight. Do right always. It will give you satisfaction in life.

Wovoka - Paiute

 
 

You ask me to plow the ground. Shall I take a knife and tear my mother's bosom ? Then when I die she will not take me to her bosom to rest.

You ask me to dig for stones ! Shall I dig under her skin for her bones ? Then when I die I cannot enter her body to be born again.

You ask me to cut grass and make hay and sell it, and be rich like white men, but how dare I cut my mother's hair.

I want my people to stay with me here. All the dead men will come to life again. Their spirits will come to their bodies again. We must wait here in the homes of our fathers and be ready to meet them in the bosom of our mother.

Wovoka - Paiute 

 
 

My young men shall never farm. Men who work the soil cannot dream, and wisdom comes to us in dreams.

Wovoka - Paiute 

 

Known as the messiah to his followers, Wovoka was the Paiute mystic whose religious pronouncements spread the Ghost Dance among many tribes across the American West.

Wovoka (1856-1932), also known as Jack Wilson, was a Northern Paiute religious leader and founder of the Ghost Dance movement. Wovoka means "wood cutter" in the Northern Paiute language.

Wovoka was born in the Smith Valley area southeast of Carson City, Nevada, around the year 1856. Wovoka's father may have been Numu-Taibo ("white person"), a religious leader whose teachings were similar to those of Wovoka. Regardless, Wovoka clearly had some training as a shaman.

Wovoka's father died around the year 1870, and he was taken in by David Wilson, who was a rancher in the Yerington, Nevada area. Wovoka worked on the Wilson ranch, and used the name Jack Wilson in his dealings with whites. David Wilson was a devout Christian, and Wovoka learned English, Christian theology, and bible stories while living with him.

In his early adulthood, Wovoka gained a reputation as a powerful shaman. He was adept at magic tricks. One trick he often performed was being shot with a shotgun, which may have been similar to the bullet catch trick. Reports of this trick may have convinced the Lakota that their "ghost shirts" could stop bullets. Wovoka is also reported to have performed a levitation trick.

In early 1889 Wovoka proclaimed that he had a prophetic vision during the solar eclipse on January 1 of that year. Wovoka vision entailed the resurrection of the Paiute dead and the removal of whites and their works from North America.

To bring this vision to pass, Wovoka taught that they must live righteously and perform a round dance, known as the "Ghost Dance".

At around age thirty, Wovoka began to weave together various cultural strains into the Ghost Dance religion. He had a rich tradition of religious mysticism upon which to draw.

Around 1870, a northern Paiute named Tavibo had prophezied that while all whites would be swallowed up by the Earth, all dead Indians would emerge to enjoy a world free of their conquerors.

He urged his followers to dance in circles, already a tradition in the Great Basin area, while singing religious songs. Tavibo's movement spread to parts of Nevada, California, and Oregon.

Whether or not Tavibo was Wovoka's father, as many at the time assumed, in the late 1880's Wovoka began to make similar prophecies.

His pronouncements heralded the dawning of a new age, in which whites would vanish, leaving Indians to live in a land of material abundance, spiritual renewal and immortal life. Like many millenarian visions, Wovoka's prophecies stressed the link between righteous behavior and imminent salvation. Salvation was not to be passively awaited but welcomed by a regime of ritual dancing and upright moral conduct.

Despite the later association of the Ghost Dance with the Wounded Knee Massacre and unrest on the Lakota reservations, Wovoka charged his followers:

Do not hurt anybody or do harm to anyone. You must not fight. Do not refuse to work for the whites and do not make any trouble with them.

While the Ghost Dance is sometimes seen today as an expression of Indian militancy and the desire to preserve traditional ways, Wovoka's pronouncements ironically bore the heavy mark of popular Christianity.

Wovoka's invocation of a "Supreme Being," immortality, pacifism and explicit mentions of Jesus (often referred to with such phrases as "the messiah who came once to live on Earth with the white man but was killed by them") all speak of an infusion of Christian beliefs into Paiute mysticism.

The Ghost Dance spread throughout much of the West, especially among the more recently defeated Indians of the Great Plains. Local bands would adopt the core of the message to their own circumstances, writing their their own songs and dancing their own dances.

In 1889 the Lakota sent a delegation to visit Wovoka. This group brought the Ghost Dance back to their reservations, where believers made sacred shirts -- said to be bullet-proof -- especially for the Dance.

The slaughter of Big Foot's band at Wounded Knee Creek in 1890 was cruel proof that whites were not about to simply vanish, that the millennium was not at hand. Wovoka quickly lost his notoriety and lived as Jack Wilson until sometime in 1932.

He left the Ghost Dance as evidence of a growing pan-Indian identity which drew upon elements of both white and Indian traditions.

By the morning of January 1, 1889, Wovoka was clearly a man torn apart by the conflicts of his past. His father's failure to be taken seriously as a prophet, the suffering of the Native peoples and his own religious concepts (both tribal and Christian) weighed heavily on him. On that day, Wovoka claimed to have dreamed a vision of a new and glorious world for the Native peoples. But was it really a new world?

In his dream, Wovoka conversed with God, who promised a new world set aside for the Native peoples. The wildlife of the region which was nearly depleted by white settlers (buffalo, elk, deer) would be replenished. The white settlers would vanish en mass and the Native dead would be resurrected and reunited with their living ancestors. Suffering, starvation, pain and disease would be wiped away forever. From a theological viewpoint and the safety of hindsight, however, one can detect prophecies which were not tribal in origin.

Even the most casual churchgoer would recognize the visions of the Book of Revelation in Wovoka's prophecies. Yet Wovoka's audience - the Paiute people and, later, other tribal nations - did not recognize it simply because Christianity did not take root among the Native peoples. White missionaries, for all of their efforts, did not put their faith into the hearts of most Native peoples. Wovoka, obviously recognizing this, refashioned the Revelation warning to his world.

He claimed the Native peoples would receive God's favor since it was the white man who rejected Christ. And unlike the New Testament, which was vague concerning the time and place of God's new world, Wovoka spelled out the immediacy of what he said. "Jesus is now upon the Earth," he stated. But again, there is historic contradiction here- Wovoka is quoted as saying he was Christ and he wasn't Christ. It would seem that either he excelled at playing to different audiences or was damned to being preserved by faulty historians.

Wovoka added this new world for Native peoples would come, but only if a ritualistic dance was practiced. In his initial preaching, he instructed his audiences to dance five days and four nights, then bathe in a river and go home. Wovoka promised to send a good spirit to his followers, who were to return in three months, at which time he would promise "such rain as I have never given you before."

The ritualistic dance, which became known as Ghost Dance, clearly appealed to the Native peoples who were baffled by the pew-bound protocol of Christian faiths. Unlike the calls of his father Tavibo, Wovoka found an audience eager to follow his teachings.  

Ghost Dance spread to different nations throughout the west with a speed and ferocity unrivaled by any religious frenzy of the day. This turn of events was all the more remarkable for three reasons: the geographic and language barriers among the various nations, the lack of access to media or technology for spreading this news, and the fact that Wovoka never left the Paiute land.

Instead, members of other nations came to Nevada to learn from him. Why Wovoka did not travel could be attributed to either a fear of unknown territories, a lack of funds to accommodate travel or even the possibility of enemies.

In the summer of 1890, among those who visited Wovoka were two members of the Lakota reservation at Pine Ridge, South Dakota, named Kicking Bear and Short Bull.

They became enraptured by Wovoka's faith and even stated that Wovoka levitated through the air above them. Kicking Bear and Short Bull brought Ghost Dance back to Pine Ridge, but in a very different form which lead to totally unexpected results.

Wovoka's faith was based on non-violence with whites. In fact, he even urged his followers not to tell the whites what they were doing. But as interpreted by Kicking Bear and Short Bull, Ghost Dance took on a militaristic aspect. Special garments known as Ghost Shirts were to be worn to deflect bullets fired by white soldiers or settlers. Government agents were permitted to witness the Ghost Dance ceremony and were told what it meant. Kicking Bear and Short Bull added the Indian Messiah would appear to the Lakota in the Spring of 1891.

Ghost Dance came to the Lakota with a fury. All activity at the Pine Ridge Reservation was put aside and the Native peoples adopted this faith with a mania. Government agents and white settlers were terrified by this sudden and (to them) bizarre turn of events. Newspapers spread stories of savage Indians in wild pagan practices.

Tensions became overpowering in this region as the Lakota people gave all their waking hours to Ghost Dance. (One government agent, Daniel F. Royer, tried to distract the Lakota by bringing his nephew to Pine Ridge to introduce baseball. It did not work. A missionary named Catherine Weldon offered to debate Kicking Bear on religion, but nothing came of it.)

Blame for Ghost Dance was placed on two people. Wovoka was traced as the father of the Ghost Dance and was interviewed by James Mooney, an ethnologist and anthropologist with the Smithsonian Institute. Wovoka passed a message to Mooney that he would control any militaristic uprising among the Native peoples in return for financial and food compensation from Washington.

The offer was ignored. And blame was also put on Sitting Bull, the chief medicine man of the Lakota people. Ironically, Sitting Bull was apathetic to Ghost Dance and only allowed its introduction at Pine Ridge with great caution. His initial qualms were realized: government agents considered Sitting Bull responsible solely due to his leadership role among the Lakota. Tribal police were dispatched to arrest him, but his apprehension resulted in conflict when several Lakota fought to protect him. Sitting Bull was killed in the crossfire on December 15, 1890.

Fourteen days after Sitting Bull's fatal shooting, the U.S. Army sought to relocate and disarm the Lakota people, who failed to stop their Ghost Dance. On the frozen plains at Wounded Knee on the Pine Ridge Reservation, government troops opened fire on the overwhelmingly unarmed Lakota people, killing 290 in a matter of minutes. Thirty-three soldiers died, most from friendly fire; 20 Medals of Honor were presented to surviving soldiers.

As news of Wounded Knee spread throughout the Native nations, Ghost Dance died quickly. Wovoka's prophecies were hollow; the land would not be returned from the white man through divine intervention. With the suddenness of its birth, Ghost Dance disappeared.

Wovoka himself virtually vanished into obscurity. In his later years, he exhibited himself at sideshows in county fairs and worked as an extra in silent movie Westerns. (The one surviving photograph of Wovoka was taken on the set of a film.) By the time of his death on September 20, 1932, he was virtually forgotten by both white and Native peoples. It would not be until the 1970s and the birth of Native American activism that the story of the Ghost Dance was told again‹ even if its father's life was reduced to footnote status.

The tragedy of Wovoka is a legacy of pain and suffering among the very people he wanted to save. The songs of the Ghost Dance are silent today and the dream of Wovoka vanished in the harsh light of reality. The Christian principles which he laced into his theology were brutally ignored by the soldiers and settlers who held allegiance to Christ and yet destroyed the Native way of life with a brutality unknown in the Gospel teachings.

- James Mooney, The Ghost-dance Religion and the Sioux Outbreak of 1890


Burns Paiute Tribe, 100 Pasigo St Burns, Or 97720